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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Luis Paret y alcazar Spanish Rococo Era Painter, 1746-1799
was a Spanish painter of the late-Baroque or Rococo period. He was born in Madrid he first trained with Antonio Gonz??lez Velazquez and attended the Academia Real de San Fernando in Madrid, where he won a second prize in a painting contest in 1760, and first prize in 1766. He entered the studio of the French painter Charles de la Traverse, who worked for the Marchese of Ossun, the ambassador of France in Spain. Unfortunately upon returning to Madrid, despite becoming a teacher in the Academia de San Fernando at age 33 years, he mainly received royal commissions to paint and engrave vistas of ports, the Spanish equivalent of vedute, and also of planned works of construction. For some years, he was banished to Puerto Rico, where he trained the painter Jose Campeche. |
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Luis Paret y alcazar A Masked Ball mk60
c.1772
Oil on canvas
40x51cm
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Luis Paret y alcazar The Antique Store mk68
Oil on wood
Madrid,
Lazaro Galdiano Museum
1772
Spain
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Luis Paret y alcazar Charles III Dining before the Court c. 1788
Oil on wood,
50 x 64 cm
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Luis Paret y alcazar Village Scene and View of Fuenterrabia 1786
Oil on canvas,
48 x 37,5 and 44,3 x 57,2 cm
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Luis Paret y alcazar Virgin and Child with St James the Great 1786
Oil on canvas,
63,5 x 142 cm
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Luis Paret y alcazar Carlos III comiendo ante su corte Medium Oil on canvas
Dimensions 050 X 64 cm
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Luis Paret y alcazar The watchfulness of Diogenes 1780(1780)
Medium oil on canvas
cyf
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Luis Paret y alcazar Still-Life with Fruit Date second half of 18th century
Medium oil on canvas
TTD
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Luis Paret y alcazar
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Spanish Rococo Era Painter, 1746-1799
was a Spanish painter of the late-Baroque or Rococo period. He was born in Madrid he first trained with Antonio Gonz??lez Velazquez and attended the Academia Real de San Fernando in Madrid, where he won a second prize in a painting contest in 1760, and first prize in 1766. He entered the studio of the French painter Charles de la Traverse, who worked for the Marchese of Ossun, the ambassador of France in Spain. Unfortunately upon returning to Madrid, despite becoming a teacher in the Academia de San Fernando at age 33 years, he mainly received royal commissions to paint and engrave vistas of ports, the Spanish equivalent of vedute, and also of planned works of construction. For some years, he was banished to Puerto Rico, where he trained the painter Jose Campeche.
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